{"id":271,"date":"2025-05-28T15:39:20","date_gmt":"2025-05-28T15:39:20","guid":{"rendered":"https:\/\/lazulidecodes.com\/?page_id=271"},"modified":"2025-06-03T13:44:40","modified_gmt":"2025-06-03T13:44:40","slug":"portfolio-traducao-enpt-conto","status":"publish","type":"page","link":"http:\/\/lazulidecodes.com\/en\/portfolio-traducao-enpt-conto\/","title":{"rendered":"PORTFOLIO Tradu\u00e7\u00e3o Liter\u00e1ria EN>PT Conto de Terror"},"content":{"rendered":"
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PORTFOLIO<\/h1>\n<\/div>\n<\/div>\n\n\n\n
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SAMPLE 3: HORROR AND FICTION SHORT STORY<\/h2>\n\n\n\n

This project involved the translation from English to Portuguese of a chapter from a horror and gothic fiction short story<\/strong>. It demanded fidelity to Ambrose Bierce's dark and descriptive style, focusing on maintaining the atmosphere, suspense, and evocative language<\/strong> characteristic of the genre. The translation aimed to transport the reader's experience into the mystery and horror of the original.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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ORIGINAL TEXT IN ENGLISH<\/strong><\/h2>\n\n\n\n

[Translator\u2019s note: TRIGGER WARNING. The following text may be considered offensive. Proceed with caution, reader\u2019s discretion advised.]
<\/strong>
THE DAMNED THING. III.<\/strong><\/p>\n\n\n\n

The coroner rose from his seat and stood beside the dead man. Lifting an edge of the sheet he pulled it away, exposing the entire body, altogether naked and showing in the candle light a clay-like yellow. It had, however, broad maculations of bluish-black, obviously caused by extravasated blood from contusions. The chest and sides looked as if they had been beaten with a bludgeon. There were dreadful lacerations; the skin was torn in strips and shreds.<\/p>\n\n\n\n

The coroner moved round to the end of the table and undid a silk handkerchief, which had been passed under the chin and knotted on the top of the head. When the handkerchief was drawn away it exposed what had been the throat. Some of the jurors who had risen to get a better view repented their curiosity, and turned away their faces. Witness Harker went to the open window and leaned out across the sill, faint and sick. Dropping the handkerchief upon the dead man’s neck, the coroner stepped to an angle of the room, and from a pile of clothing produced one garment after another, each of which he held up a moment for inspection. All were torn, and stiff with blood. The jurors did not make a closer inspection. They seemed rather uninterested. They had, in truth, seen all this before; the only thing that was new to them being Harker’s testimony.<\/p>\n\n\n\n

“Gentlemen,” the coroner said, “we have no more evidence, I think. Your duty has been already explained to you; if there is nothing you wish to ask you may go outside and consider your verdict.”<\/p>\n\n\n\n

The foreman rose\u2014a tall, bearded man of sixty, coarsely clad. “I should like to ask one question, Mr. Coroner,” he said. “What asylum did this yer last witness escape from?”<\/p>\n\n\n\n

“Mr. Harker,” said the coroner, gravely and tranquilly, “from what asylum did you last escape?”<\/p>\n\n\n\n

Harker flushed crimson again, but said nothing, and the seven jurors rose and solemnly filed out of the cabin.<\/p>\n\n\n\n

“If you have done insulting me, sir,” said Harker, as soon as he and the officer were left alone with the dead man, “I suppose I am at liberty to go?”<\/p>\n\n\n\n

“Yes.”<\/p>\n\n\n\n

Harker started to leave, but paused, with his hand on the door latch. The habit of his profession was strong in him\u2014stronger than his sense of personal dignity. He turned about and said:<\/p>\n\n\n\n

“The book that you have there\u2014I recognize it as Morgan’s diary. You seemed greatly interested in it; you read in it while I was testifying. May I see it? The public would like\u2014”<\/p>\n\n\n\n

“The book will cut no figure in this matter,” replied the official, slipping it into his coat pocket; “all the entries in it were made before the writer’s death.”<\/p>\n\n\n\n

As Harker passed out of the house the jury reentered and stood about the table on which the now covered corpse showed under the sheet with sharp definition. The foreman seated himself near the candle, produced from his breast pocket a pencil and scrap of paper, and wrote rather laboriously the following verdict, which with various degrees of effort all signed: “We, the jury, do find that the remains come to their death at the hands of a mountain lion, but some of us thinks, all the same, they had fits.”<\/p>\n\n\n\n

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AUTHOR: AMBROSE BIERCE<\/h4>\n\n\n\n

Book title\/Year of publication:<\/strong> The Damned Thing\/1893 (originalmente; 2007, from Project Gutenberg)<\/p>\n\n\n\n

Publisher:<\/strong> Project Gutenberg
Original text available here<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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TRANSLATION IN PORTUGUESE<\/strong><\/h2>\n\n\n\n

[Nota da tradutora: ALERTA DE GATILHO. O trecho a seguir pode conter linguagem suscet\u00edvel a ferir a sensibilidade do leitor. Prossiga a seu crit\u00e9rio.]<\/strong><\/p>\n\n\n\n

A COISA MALDITA. III.<\/strong><\/p>\n\n\n\n

O legista levantou-se e ficou ao lado do morto. Ergueu uma ponta do len\u00e7ol e puxou, expondo todo o cad\u00e1ver, completamente nu e mostrando, \u00e0 luz de vela, um amarelo argiloso. Apresentava, no entanto, amplos hematomas preto-azulados, obviamente causados por sangue extravasado de contus\u00f5es. O peito e os lados pareciam ter sido espancados com um porrete. Houve lacera\u00e7\u00f5es terr\u00edveis; a pele estava toda retalhada em peda\u00e7os.<\/p>\n\n\n\n

O legista foi at\u00e9 a ponta da mesa e desfez um len\u00e7o de seda que havia sido passado sob o queixo e amarrado no topo da cabe\u00e7a. Quando o len\u00e7o foi retirado, exp\u00f4s o que havia sido a garganta. Alguns dos jurados que se levantaram para ver melhor arrependeram-se da curiosidade e viraram o rosto. Harker, a testemunha, foi at\u00e9 a janela aberta e debru\u00e7ou-se no parapeito, esmorecido e enjoado. Deixando cair o len\u00e7o no pesco\u00e7o do morto, o legista deu um passo para um canto da sala e, de uma pilha de roupas, retirou uma pe\u00e7a de roupa ap\u00f3s a outra, erguendo cada uma delas por um momento para inspe\u00e7\u00e3o. Todos estavam rasgados e r\u00edgidos com sangue. Os jurados n\u00e3o fizeram uma inspe\u00e7\u00e3o mais detalhada. Eles pareciam um tanto quanto desinteressados. Na verdade, eles j\u00e1 tinham visto tudo isso antes; a \u00fanica coisa nova para eles era o testemunho de Harker.<\/p>\n\n\n\n

“Senhores”, disse o legista, “n\u00e3o temos mais provas, creio. Seu dever j\u00e1 foi explicado a voc\u00eas; se n\u00e3o h\u00e1 nada que desejem perguntar, podem sair e considerar seu veredicto.”<\/p>\n\n\n\n

O capataz levantou-se: um homem alto, barbudo, de sessenta anos, vestido de maneira r\u00fastica. “Eu gostaria de fazer uma pergunta, Sr. Legista”, disse ele. “De que asilo escapou essa sua \u00faltima testemunha?”<\/p>\n\n\n\n

“Sr. Harker”, disse o legista, solene e tranquilamente, “de qual asilo o senhor escapou pela \u00faltima vez?”<\/p>\n\n\n\n

Harker ficou vermelho novamente, mas n\u00e3o disse nada, e os sete jurados se levantaram e sa\u00edram solenemente da cabine.<\/p>\n\n\n\n

“Se o senhor terminou de me insultar, senhor”, disse Harker, assim que ele e o oficial ficaram sozinhos com o homem morto, “suponho que estou livre para ir?”<\/p>\n\n\n\n

“Sim.”<\/p>\n\n\n\n

Harker come\u00e7ou a sair, mas parou, com a m\u00e3o no trinco da porta. O h\u00e1bito da sua profiss\u00e3o era forte nele \u2013 mais forte do que o seu senso de dignidade. Ele se virou e disse:<\/p>\n\n\n\n

“O livro que voc\u00ea tem a\u00ed… eu o reconhe\u00e7o como o di\u00e1rio de Morgan. Voc\u00ea parecia muito interessado nele; voc\u00ea o leu enquanto eu estava testemunhando. Posso v\u00ea-lo? O p\u00fablico gostaria…”<\/p>\n\n\n\n

\u201cO livro n\u00e3o ter\u00e1 nenhum impacto neste assunto\u201d, respondeu o oficial, enfiando-o no bolso do casaco; “todos os registros foram feitos antes da morte do escritor.”<\/p>\n\n\n\n

Quando Harker saiu da casa, o j\u00fari voltou e ficou em volta da mesa onde o cad\u00e1ver agora coberto aparecia sob o len\u00e7ol com defini\u00e7\u00e3o n\u00edtida. O capataz sentou-se perto da vela, tirou do bolso do peito um l\u00e1pis e um peda\u00e7o de papel e escreveu com bastante esfor\u00e7o o seguinte veredicto, que com v\u00e1rios graus de esfor\u00e7o todos assinaram: “N\u00f3s, o j\u00fari, descobrimos que o falecido padeceu nas garras de um le\u00e3o da montanha, mas, ainda assim, alguns de n\u00f3s pensam que sofreu uma crise epil\u00e9ptica.”<\/p>\n\n\n\n

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AUTOR: AMBROSE BIERCE<\/h4>\n\n\n\n

Livro\/Publica\u00e7\u00e3o:<\/strong> The Damned Thing\/1893 (originalmente; 2007, em Project Gutenberg)<\/p>\n\n\n\n

Editora:<\/strong> Project Gutenberg
Texto original dispon\u00edvel aqui<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Portf\u00f3lio AMOSTRA 3: CONTO DE TERROR E FIC\u00c7\u00c3O Tradu\u00e7\u00e3o do ingl\u00eas para o portugu\u00eas de um cap\u00edtulo de conto de terror e fic\u00e7\u00e3o g\u00f3tica. O projeto exigiu a fidelidade ao estilo sombrio e descritivo de Ambrose Bierce, com foco na manuten\u00e7\u00e3o da atmosfera, do suspense e da linguagem imag\u00e9tica que caracterizam o g\u00eanero. A tradu\u00e7\u00e3o […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"no-title","meta":{"footnotes":""},"class_list":["post-271","page","type-page","status-publish","hentry"],"yoast_head":"\nPORTFOLIO Tradu\u00e7\u00e3o Liter\u00e1ria EN>PT Conto de Terror - LAZULI DECODES<\/title>\n<meta name=\"description\" content=\"Portf\u00f3lio de conto de terror: veja tradu\u00e7\u00e3o que captura a atmosfera sombria, suspense e linguagem imag\u00e9tica para voc\u00ea.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lazulidecodes.com\/en\/portfolio-traducao-enpt-conto\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PORTFOLIO Tradu\u00e7\u00e3o Liter\u00e1ria EN>PT Conto de Terror - LAZULI DECODES\" \/>\n<meta property=\"og:description\" content=\"Portf\u00f3lio de conto de terror: veja tradu\u00e7\u00e3o que captura a atmosfera sombria, suspense e linguagem imag\u00e9tica para voc\u00ea.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lazulidecodes.com\/en\/portfolio-traducao-enpt-conto\/\" \/>\n<meta property=\"og:site_name\" content=\"LAZULI DECODES\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-03T13:44:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/images.unsplash.com\/photo-1707247207298-7f5f77c304a0?q=80&w=1887&auto=format&fit=crop&ixlib=rb-4.1.0&ixid=M3wxMjA3fDB8MHxwaG90by1wYWdlfHx8fGVufDB8fHx8fA%3D%3D\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lazulidecodes.com\/portfolio-traducao-enpt-conto\/\",\"url\":\"https:\/\/lazulidecodes.com\/portfolio-traducao-enpt-conto\/\",\"name\":\"PORTFOLIO Tradu\u00e7\u00e3o Liter\u00e1ria EN>PT Conto de Terror - 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